![]() For some, this final fall means indulging post-9-to-5 mental fatigue with the lull of a television set instead of rhythm and drums. Inevitably, the dichotomy tilts in a fixed direction. Having cycled through suburbs-sanitized punk bands and increasingly uninspired DJ sets, Ruby and $crim had a hunger to transcend the streets of New Orleans’ 7th Ward as well as the cornier boundaries of niche alt cliques. ![]() Expressing that no consideration was given to the Suicide Girls brand when developing their name, the cousins keep a family tradition of staying unhinged from strict subcultures. Even when the integrity of probes is limited to inquiries into heroin highs and the supposed setbacks of being white kids in New Orleans, their genuine immersion in their craft shines through their accounts of adversary. Earning respect within the greater punk, goth, and hip-hop scenes, the boy$ retain a DIY-caliber work ethic while asserting wise-beyond-their-years substance, inside the studio and out.Ĭurrently sitting at the fourth most-viewed No Jumper interview, $uicideboy$’ candidness towards the long journey of finding and cultivating their point of view has become the battle cry of everyone who has faced the torturous day job/artistic sphere dichotomy. and Aristos “Ruby da Cherry” Pertrou have risen above the silliness by becoming one of the most influential voices of the melancholic rap community. ![]() In a time where rap skills have become synonymous with clout goggles and laptop mics, cousins Scott “$crim” Arceneaux Jr. ![]() As a breathing, scene-spanning beast, punk-influenced hip-hop duo $uicideboy$ is perhaps the most relevant living example of this seemingly-contradictory sentiment. There’s a thread that seems to run throughout nearly every genre of music-a desire to escape your hometown that runs as deep as the pride for the land that’s served as the flint of the artistic fire. ![]()
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